
ORANGE BLOSSOMS, produced by long-time cohort Dan Prothero and Grey, was recorded in north Florida and boasts some of Grey’s most profound and moving music to date. The album features 12 songs (including 11 Grey originals) inspired by Grey’s life experiences and visionary observations. With long-time friend and guitarist Daryl Hance, bassist/organist Adam Scone, drummer Anthony Cole, and the Hercules Horns of saxophonist Art Edmaiston and trumpeter Dennis Marion, Grey moves effortlessly from gospel-tent fervor to Southern-fried rockers to deeply emotional soul. ORANGE BLOSSOMS is a groove-driven masterpiece fueled by JJ’s gritty, smoldering vocals and intense, funk-infused guitar and keyboard work.
JJ Grey’s songs blend front porch realism with the best musical and literary traditions of the South. Whether it is a narrative passed down to him from his grandmother or the tribulations of a childhood friend, Grey’s ear for detail rings through in true storytelling fashion. His voice delivers with an unflinching strength that makes the personal universal and paints a vivid portrait of an exact time or place. Like his songs, Grey’s rich, soulful vocals are forceful and commanding, seemingly wise and experienced beyond his years.
Grey's songwriting influences are widespread. "I listen to people who tell the story," he says, naming Muddy Waters, Stevie Wonder, Tony Joe White, Jerry Reed, Otis Redding, Dr. John, Sly & The Family Stone, Van Morrison, Bill Withers and Dan Penn. What these writers and performers have in common is a love for simplicity and the ability to evoke complex emotions with a minimal number of words and notes. As a performer, Grey is influenced by the sexually charged blues of Howlin' Wolf, the country soul of George Jones, the hard funk of James Brown, and the smooth R&B of Donny Hathaway, as well as local personalities like street preachers and radio disc jockeys of his youth.
In 2001 Grey’s debut album, BLACKWATER, was released under the name Mofro (a name Grey conjured up while working at a local lumberyard). Soon thereafter JJ, along with guitarist Daryl Hance, hit the road hard (playing over 175 shows a year) with an ever-changing Mofro line-up. A National Public Radio feature in 2001 brought JJ’s music to scores of new listeners, helping to open doors at press, radio and venues across the country. 2004’s LOCHLOOSA brought Grey even more attention, as the band performed at the first Bonnaroo in 2005 and opened for Widespread Panic, Ben Harper, Galactic, B.B. King and Jeff Beck. Word of their live shows spread quickly, and offers to appear at festivals and concerts around the world increased.
2007 was a watershed year for Grey. The release of COUNTRY GHETTO brought widespread critical and popular acclaim, garnering piles of positive press with reviews and features running everywhere from The New York Times and USA Today, to Harp and Paste magazines. Commercial and public radio embraced Grey as well, as COUNTRY GHETTO received regular rotation on nearly 100 stations and was featured on hundreds more. In addition to countless live in-studio performances at stations around the country, he and the band appeared on National Public Radio’s World Café, the syndicated program E-Town, and played live on the Paul Jones Show on BBC2 in the UK.
JJ Grey & Mofro toured constantly in 2007. He and the band played over 120 dates headlining clubs and concert halls and performing at scores of festivals across the United States and Europe. Highlights included The Voodoo Music Experience, SXSW, The New Orleans Jazz & Heritage Fest, Wakarusa, Langerado, The Austin City Limits Festival and a Southeast run with the Allman Brothers. On Labor Day weekend 2007, Grey was able to fulfill a lifelong dream by hosting his own roots music festival, The Blackwater Sol Revue in St. Augustine, Florida. The all-day event featured Los Lobos, Tony Joe White and Florida favorites The Legendary JC’s and The Lee Boys. The second annual Blackwater Sol Revue happens on August 30, 2008 and features one of JJ’s favorite performers, Toots And The Maytals.
From gritty funk and juke joint romps to contemplative country soul and blistering rockers, Grey’s music is in a class by itself, at once contemporary and classic. Now, with his latest release, ORANGE BLOSSOMS, JJ Grey will bring his singular musical vision and hip-shaking, soulful live show to his ever-growing fan base, showing how his songs speak to people all over the world and how far-reaching his Southern roots can spread.
Art Edmaiston
Dennis Marion
Andrew Trube
Anthony Farrell
Anthony Cole

It's easily understood that inspiration drives the music of JJ Grey & Mofro, as influence radiates from it in an interesting and colorful manner. Though much of it is surrounded in a raw yet contemporary swamp rock ambiance, it possesses elements of southern rock, soul, R&B, folk, gospel, blues, and especially funk. The music parallels the lyrical image flawlessly in setting, emotion and significance... VIEW THE FULL INTERVIEW HERE

There's nothing particularly different about this MOFRO album - it's just a stronger distillation of the band's vision. Like the three previous very fine records, the focus is on JJ Grey's soulful, deep-south vocals and earthy tales while the sticky, slow-grinding funk grooves of the band push the songs along. But like they say, if it ain't broke don't fix it, and this might be MOFRO's best effort yet.
There's a celebratory vibe to the chorus of the title track while the introspective last cut "I Believe (In Everything),"with its liquid guitar line, full-bodied horns and gospel backing vocals, is enough to draw a tear. Packed between are ten more songs that move from the ominous piano crawl of "She Don't Know" to the juke joint banger "On Fire" to the sympathetic strings working with understated harmonica on "Dew Drops." While the tempos dip and sway they're always covered by shadows and thick air.
JJ Grey & MOFRO are one of the preeminent southern soul-blues bands of the day. Everything is rooted in Grey's Florida backwater roots and the man is the real deal. Orange Blossoms is the newest chapter of a timeless band with legs to run the long race. Like the state flower that adorns this album's cover, each time MOFRO deliver an album you can smell the place as it instantly transports you to Grey's back porch staring out over the swamp.
Standout Tracks: "Dew Drops," "I Believe (In Everything)" AARON KAYCE

JJ Grey & MOFRO have been gradually making a name for themselves since the early side of this decade, and following this summer's release of their fourth studio album, Orange Blossoms, it looks like things are going to keep getting bigger and bigger for the front porch soul man from Jacksonville, Florida. The 2007 release of Country Ghetto saw JJ Grey's music break out into a larger audience with the help of quality promotion and a good deal of radio play. But with Orange Blossoms, it's starting to seem as though Grey and his MOFRO cohorts are finally being seen and heard with the crossover appeal they've held from the start.